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A Tuscan Childhood

Audiobook
1 of 1 copy available
1 of 1 copy available

The enchantments of the Tuscan countryside are captured in this memoir of the idyllic Bohemian life the author shared with her family in their Italian castle in the years between the two world wars.

When Kinta Beevor was five years old, her father, the painter Aubrey Waterfield, and her mother, a writer, settled their family into a castle near the Tuscan village of Aulla. It became the center of an artistic world that included D. H. Lawrence, Robert Trevelyan, and Rex Whistler. While the adults wrote and painted, Kinta and her brother explored the castle and the nearby Florentine villa of their great-aunt Janet Ross. They helped with the grape and olive harvests, accompanied the stonemason in his search for wild mushrooms, learned how to "tickle trout." They spent their summers in tents in the mountains, with shepherds and their charcoal burners. The family fled at the approach of war, which destroyed the town and damaged the castle. But Kinta would return to witness the courage and skill of the Tuscan people as they rebuilt the castle, the town, their lives, and her memories.

Engaging, lyrical, and witty, A Tuscan Childhood evokes the splendors of rural Italy and what it was like to be a child blissfully ensconced there.

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    • Publisher's Weekly

      March 1, 1999
      Beevor, who died in 1995, recalls her childhood spent in Tuscany with bohemian British parents in this precious yet strangely distant memoir. Beevor has many interesting tales to tell: her parents, an artist and a writer, moved into a castle in the remote countryside of Aulla in 1905; then, in 1927, they inherited from her mother's aunt a villa just outside of Florence in Fiesole, a locale they had visited often. There is considerable charm in her stories of eating in the castle's rooftop garden and roaming through a rustic market where vendors sold wooden clogs and terra cotta pots. Her recollections of the local folk are sweet even if they reflect the sentiments of the foreign elite. "Finding servants was not easy," Beevor writes, although their castle was situated in an impoverished area. As well, her British family often found the informal attitudes of their Italian employees laughable. She delights in relating local traditions, however, such as the use of fennel to cure colic and the consumption of garlic to repel mosquitoes. When the family moved to its inherited villa in Fiesole, they began to associate with a larger circle of expatriates living there, including Bernard Berenson. Naturally, the war caused big problems for both the British residents and the peasants (who Beevor claims saw the danger of Mussolini when others were blind to it). Over all, Beevor's skewed perceptions cause a few problems: for starters, she places the painting-over of an 18th-century fresco of a poodle on the same level as the war-time destruction of the town of Aulla. Agent, Robin Straus.

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  • English

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